001 - Modeling a floor plan from a 2D drafting document
002 - Modeling terrain with Displace space warp
003 - Projecting UVs with the Camera Map world-space modifier
004 - Capturing shadows with Arnold Shadow Matte map
005 - Rendering compositing passes with Arnold AOVs
006 - Mechanical rigging with IK and the LookAt controller
007 - Modulating animation with Multiply and Ease Curves
008 - Working with audio and the AudioFloat controller
009 - Automating with Expression controllers
010 - Real-time animation with the Motion Capture utility
011 - Stylized rendering with Scanline Ink 'n Paint
012 - Getting started with the Max Creation Graph
013 - Modifying a Max Creation Graph tool
014 - Sculpting a terrain with Texture Object Mask
015 - Building a road with Conform space warp
016 - Shading a landscape with Arnold Curvature
017 - Creating custom attributes with the Parameter Editor
018 - Driving animation curves with the Reaction controller
019 - Rigging a camera-facing matte painting
020 - Aligning a camera to a background with Perspective Match
021 - Projecting a photo to proxy geometry with Camera Map
022 - Automation with wire parameters and manipulators
023 - Converting scenes for different renderers
024 - Rendering light groups with Arnold AOVs
025 - Graphing scene conditions with State Sets Compositor
026 - Introduction to 3ds Max Fluids
027 - Modeling with the Motion Field Space Warp
028 - Non-destructive model adjustment with Linked Xform
029 - Animating sub-objects with Linked Xform
030 - Customize and cycle Path Constraint animation
031 - Generate complex motion with Waveform Controllers
032 - Illuminate a scene with an Arnold Mesh Light
033 - Shading with Maya maps in 3ds Max
034 - Varying shader properties by object with Arnold Color Jitter
035 - Render a mesh object with Arnold Standard Volume
036 - Render a Point Cloud object
037 - Setting track value boundaries with a limit controller
038 - Drawing curves with Freehand Spline
039 - Correcting intersections with Spline Overlap
040 - Reducing curve detail with Optimize Spline
041 - Resampling curves with Normalize Spline
042 - Soft-selecting curves with Spline Influence
043 - Blending curves with Spline Morph
044 - Combining splines with shape Booleans
045 - Approximating global illumination in Arnold
046 - Rendering proxies with Arnold procedurals
047 - Introduction to the Open Shading Language map
048 - Basic syntax of Open Shading Language
049 - Declaring OSL input and output parameters
050 - Generating a fractal noise pattern in OSL
051 - Iterating a for loop in OSL
052 - Using the if… else conditional statement in OSL
053 - Managing OSL file assets and paths
054 - Accelerate Arnold rendering with adaptive sampling
055 - Texturing with the Advanced Wood procedural map
056 - Art directing the Advanced Wood texture map
057 - Setting a fluid initial state
058 - In-camera compositing with Camera Map modifier
059 - Creating animation layers
060 - Collaborate online with shared views
061 - Rendering iridescence with Arnold Thin Film
062 - Loading and saving fluid presets
063 - Introduction to 3ds Max Interactive
064 - Building a motion graphics rig with Data Channel
065 - Creating custom project folder structures
066 - Open Shading Language code editor tips and tricks
067 - Spawning particles from a 3D map
068 - Rendering a starfield
069 - Faking GI with an Arnold ambient occlusion filter
070 - Modeling with the animation Snapshot tool
071 - Rendering particles with Arnold Standard Volume
072 - Render Arnold volume with physical values
073 - Volume indirect global illumination in Arnold
074 - Removing polygon detail with Freeform Optimize
075 - Transform and retime a cache with Fluid Loader
076 - Rendering motion blur in Arnold
077 - Drawing splines on an editable poly
078 - Sketching freeform topology over a polygon mesh
079 - Animating effects with Data Channel Decay
080 - Animating controllers in the Material Editor
081 - Painting a vertex color mask with VertexPaint
082 - Drawing polygon freeform strips
083 - Extruding polygon freeform branches
084 - Interactive ActiveShade in a viewport
085 - Fluid data channels
086 - Displaying fluid data channels
087 - Assigning UVW coordinates in an OSL network
088 - Using named coordinate spaces in Open Shading Language (OSL)
089 - Shadow group exclusion with Arnold properties
090 - Erasing materials with MAXScript or UVW Remove
091 - Understanding Fluid Churn and Vorticity channels
092 - Rendering Fluid channels with Arnold User Data
093 - Keyframe quantization and sub-frame editing with Snap Keys
094 - Importing a CAD solid model as a Body Object
095 - Solid model subtraction and intersection with Body Cutter
096 - Solid model union with Join Bodies
097 - Denoising an Arnold rendering
098 - Interactive Update in the animation Curve Editor
099 - Curve Editor view menu: Tips and tricks
100 - Editing animation curves with the Region Keys tool (NO SUBS)
101 - Combining data channels of Fluids
102 - Shading per object with OSL Random by Index
103 - Layering materials of Fluids
104 - Render particles as Arnold primitives
105 - Render PFlow particles with Arnold Shape
106 - Remapping colors with Arnold Ramp RGB
107 - Rendering contours with Arnold Toon
108 - Mapping Arnold Toon base color
109 - Controlling preview quality
110 - Adding information overlays to a preview with MAXScript
111 - Modeling with the updated Chamfer modifier
112 - Applying a chamfer using edge weight and depth
113 - Baking a map to a mesh with Assign Vertex Color
114 - Generating cavity and occlusion maps with Render Surface Map
115 - Baking multiple vertex color channels with VertexPaint
116 - Compositing vertex color in a shading network
117 - Optimizing geometry with the MultiRes modifier
118 - Improving viewport performance with the Substitute modifier
119 - Constructing a lighting assembly
120 - Wiring parameters in a lighting assembly
121 - Measuring with tape helper, the Measure Distance tool, and the Measure utility
122 - Display panel tips and tricks
123 - Quickly adjusting transforms and pivot point with the Transform Toolbox
124 - Stacking objects with Select and Place
125 - Managing objects and sub-objects with selection sets
126 - Referencing scenes with containers
127 - Changing inherited container content with Edit in Place
128 - Locking and unlocking container parameters
129 - Editing unlocked container parameters
130 - Projecting splines onto surfaces with ShapeMerge
131 - Analyzing and correcting mesh geometry with xView
132 - Keyframing sub-objects with the Master Point controller
133 - Managing scene materials with Material Explorer
134 - Defining a temporary transform center with working pivot
135 - Customizing keyboard shortcuts with Hotkey editor
136 - Stylized rendering with OSL Halftone Dots map
137 - Incorporating scene lighting in a shading network
138 - Incorporating render resolution in a shading network
139 - Situating geometry within an OSL HDRI environment
140 - Studio lighting with HDRI lights map
141 - White balance and exposure with an Arnold camera filtermap
142 - Rasterizing maps with bake to texture
143 - Advanced baking with bake to texture
144 - Baking to physically based renderer (PBR) materials for export
145 - Production rendering with Quicksilver hardware
146 - Varying textures with OSL Randomized Bitmaps
147 - Deforming a particle system with the Mesher compound object
148 - Set up Arnold render passes with AOV Manager
149 - Animating multiple tracks with Parameter Collector
150 - Improving edge smoothing with Weighted Normals modifier
151 - Rendering a cutaway with the Arnold Clip Geo material
152 - Advanced procedural noise with Uber Noise map
153 - Rendering polygon edges with OSL Wireframe map
154 - Art directing the OSL Wireframe map
155 - Introduction to MassFX Rigid Body dynamics
156 - Setting up a MassFX Rigid Body simulation
157 - Controlling a MassFX Rigid Body simulation
158 - Fine-tuning a MassFX Rigid Body simulation
159 - Automating secondary animation with the Flex modifier
160 - Keyframing modeling commands with the Edit Poly Animate mode
161 - Generating UVs with OSL projection maps
162 - Retiming all keyframes in a scene with the world track
163 - Snapping surfaces dynamically with MCG Ray Constraint
164 - Complex sub-object selections with the Selection ribbon
165 - Adding polygon edges with Paint Connect
Exercise Files